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Tuesday, May 13, 2008
homesubmit tales

Indian Fairy Tales

The Lion And The Crane
How The Raja's Son Won The Princess Labam
The Lambikin
Punchkin
The Broken Pot
The Magic Fiddle
The Cruel Crane Outwitted
Loving Laili
The Tiger, The Brahman, And The Jackal
The Soothsayer's Son
Harisaman
The Charmed Ring
The Talkative Tortoise
A Lac Of Rupees For A Bit Of Advice
The Gold-Giving Serpent
The Son Of Seven Queens
A Lesson For Kings
Pride Goeth Before A Fall
Raja Rasalu
The Ass In The Lion's Skin
The Farmer And The Money-Lender
The Boy Who Had A Moon On His Forehead And A Star On His Chin
The Prince And The Fakir
Why The Fish Laughed
The Demon With The Matted Hair
The Ivory City And Its Fairy Princess
How Sun, Moon, And Wind Went Out To Dinner
How The Wicked Sons Were Duped
The Pigeon And The Crow
Notes And References
I. The Lion And The Crane
II. Princess Labam
III. Lambikin
IV. Punchkin
V. The Broken Pot
VI. The Magic Fiddle
VII. The Cruel Crane Outwitted
VIII. Loving Laili
IX. The Tiger, The Brahman, And The Jackal
X. The Soothsayer's Son
XI. Harisarman
XII. The Charmed Ring
XIII. The Talkative Tortoise
XIV. Lac Of Rupees
XV. The Gold-Giving Serpent
XVI. The Son Of Seven Queens
XVII. A Lesson For Kings
XVIII. Pride Goeth Before A Fall
XIX. Raja Rasalu
XX. The Ass In The Lion's Skin
XXI. The Farmer And The Money-Lender
XXII. The Boy With Moon On Forehead
XXIII. The Prince And The Fakir
XXIV. Why The Fish Laughed
XXV. The Demon With The Matted Hair
XXVI. The Ivory Palace
XXVII. Sun, Moon, And Wind
XXVIII. How Wicked Sons Were Duped
XXIX. The Pigeon And The Crow

VII. The Cruel Crane Outwitted

Source.-The Baka-Jataka, Fausboll, No. 38, tr. Rhys-Davids, pp. 315-21. The Buddha this time is the Genius of the Tree.

Parallels.-This Jataka got into the Bidpai literature, and occurs in all its multitudinous offshoots (see Benfey, Einleitung, S 60) among others in the earliest English translation by North (my edition, pp. 118-22), where the crane becomes "a great Paragone of India (of those that live a hundredth yeares and never mue their feathers)." The crab, on hearing the ill news "called to Parliament all the Fishes of the Lake," and before all are devoured destroys the Paragon, as in the Jataka, and returned to the remaining fishes, who "all with one consent gave hir many a thanke."

Remarks.-An interesting point, to which I have drawn attention in my Introduction to North's Bidpai, is the probability that the illustrations of the tales as well as the tales themselves, were translated, so to speak, from one country to another. We can trace them in Latin, Hebrew, and Arabic MSS., and a few are extant on Buddhist Stupas. Under these circumstances, it may be of interest to compare with Mr. Batten's conception of the Crane and the Crab (supra, p. 50) that of the German artist who illustrated the first edition of the Latin Bidpai, probably following the traditional representations of the MS., which itself could probably trace back to India.